This week in music is a whirlwind of excitement, but here’s the part most people miss: amidst the Grammy buzz and Record Store Day announcements, there’s a treasure trove of new albums begging for your attention. But which ones are truly worth your time? Let’s dive in and uncover the gems. On today’s episode of BV Weekly, Dave and I break down the highlights, but here’s a deeper look at some standout releases you won’t want to skip.
First up, Ratboys with Singin’ to an Empty Chair (New West). This indie-country powerhouse continues to defy expectations, delivering what many—including myself—are calling their most natural and polished work yet. But here’s where it gets controversial: while every Ratboys album seems to earn the title of ‘best yet,’ this one truly feels like the pinnacle. Why? It’s not just the seamless blend of DIY indie rock and alt-country; it’s the way they’ve perfected their sound just as the indie-country crossover is taking center stage. With producer Chris Walla at the helm, this album feels like the ultimate Ratboys experience. But is it too soon to crown it their masterpiece? Let me know your thoughts in the comments.
Next, J. Cole drops The Fall-Off (Dreamville/Interscope), a double album that’s both a comeback and a potential farewell. Split into ‘Disc 29’ and ‘Disc 39,’ Cole reflects on his journey from a 29-year-old returning to his hometown to a 39-year-old seeking peace. But here’s the question: Is this really his final release, or is Cole just setting the stage for another act? Featuring heavyweights like Erykah Badu, Burna Boy, and Future, this album is a testament to Cole’s ambition and storytelling prowess. But does it live up to the hype? You decide.
Switching gears, Him Horrison (aka Deedee of MSPAINT) delivers Starting Not To Hurt, a dreamy solo debut that’s a far cry from their synth-punk roots. This album is a tender, psychedelic journey, blending folk and shoegaze in a way that feels both personal and expansive. But here’s the twist: while Deedee’s MSPAINT vocals are raw and aggressive, their solo work reveals a gorgeous singing voice and a songwriting range that’s nothing short of breathtaking. Is this the start of a new era for Deedee? Only time will tell.
For electronic music fans, Joshua Chuquimia Crampton’s Anata is a must-listen. Following last year’s acclaimed Los Thuthanaka album, Joshua blends traditional Andean music with modern psychedelia, creating a hypnotic soundscape that’s impossible to resist. But here’s the debate: Is this album a natural evolution of their sound, or does it tread too closely to their previous work? Share your take below.
And let’s not forget Tha God Fahim, whose Tha Dark Shogunn Saga, Vol. 3 (Nature Sounds) continues his insanely prolific run. With 11 tracks clocking in at around two minutes each, Fahim delivers a boom bap revival that’s as addictive as it is authentic. But here’s the question: In an era of over-saturation, does Fahim’s output dilute his impact, or does he prove that quality and quantity can coexist? Let’s discuss.
Rounding out the list, Dirt Buyer’s Dirt Buyer III (Bayonet) is a hi-fi, lyrically dark masterpiece from Brooklyn’s Joe Sutkowski. Tackling personal struggles with alcohol and relationships, this album is a cathartic release that’s as raw as it is refined. But here’s the controversy: Is this album too heavy for mainstream appeal, or is its honesty exactly what the indie rock scene needs? Your thoughts?
Finally, Mayhem’s Liturgy of Death (Century Media) proves that after 30+ years, they’re still black metal royalty. Bridging classic and experimental sounds, this album is sharp, dynamic, and utterly inspired. But here’s the debate: Are Mayhem simply perfecting a formula, or are they still pushing boundaries? Weigh in below.
From Ratboys’ indie-country triumph to Mayhem’s black metal mastery, this week’s releases are a testament to the diversity and depth of modern music. But which album is your favorite? Let me know in the comments, and don’t forget to check out BV Weekly for more music news and reviews. And if you’re craving more, explore the Indie Basement archives or pick up the BrooklynVegan x Alexisonfire special edition magazine. The music never stops—let’s keep the conversation going!
